kateelliott: (Default)
On the night of the Oscars, which I'm not watching for no reason except that I generally never do, I do think about film.

First, [livejournal.com profile] oursin flagged this article in the Guardian about romantic comedy: Where have all the good women gone?.

Romantic comedies have, of course, long been formulaic, and often palpably dumb, but recently they actually seem to have become contemptuous of women.

I was going to write up approving commentary on the article, and my reaction to the portrayal of women in film in these days (and will still likely write up something on the portrayal of women in epic fantasy), and so on, but then Justine Larbalestier went ahead and kindly wrote up a rant for me. I mean, she probably didn't know that's why she was doing it, but I really appreciated her going to all that trouble just to spare me from having to say pretty much the same thing. Thanks, Justine!

She begins:

Lately I’ve been talking with many of my film-obsessed friends about romantic comedies. Specifically we’ve been trying to come up with one made by Hollywood in the last five years which wasn’t misogynist rubbish.


But now for something almost kind of different.

Tonight, the Oscars gave awards for best film, but what about the really bad stuff you had the misfortune to see?

What were the worst films you saw in 2008 (preferably released in 2008, but I'm willing to go easy if there's a bit of date slippage and it's more of a 'worst film seen in 2008) in the categories of

1) Just Plain Bad

2) Hated It Even Though It Received Critical or Popular Acclaim


I'll go first, even though I saw very few 2008 release films, alas.

1) The Mummy: China edition
Brendan Fraser and Jet Li and Michelle Yeow and Russell Wong and even poor John Hannah TOTALLY WASTED. Idiot plot, terrible writing, mediocre CGI. So, so sad.

2) Haha. You knew this was coming if you read my blog last year. Mongol.
kateelliott: (Default)
See, I don't have to go see films any more unless I'm really really sure I'll love them. I just send [livejournal.com profile] chibicharibdys who hits the main points of my problem with most of the films these days: it's all about the Man.

Read her review of The Dark Knight here.

In terms of films and books, my patience for watching films or reading stories in which only one or two women appear, who then have no agency and function only in terms of their (sexual or maternal) relationship with one or more of the men, has pretty much plunged to nothing.

I'm not talking about films like, say, Lawrence of Arabia in which, in the context of the story, there genuinely is no public space for women. I'm talking about epic fantasy or superhero movies or children's animated flicks or pretty much anything in which the writer/director/whatever cannot conceptually find space for females in a landscape that is more or less 50% women. I have the same lack of patience for film/stories that, in a similar intersectional vein, cannot find conceptual space for an ethnically, religiously, or culturally diverse cast in landscapes where, in fact, such diversity exists.

Yet time and again works so lacking conceptually may be described as cutting edge, ground breaking, provocative, and so on, when for me, from my perspective, it's just the same old same old styled up in fancier effects and clothing and with maybe a little more blood and gore. I have been around long enough now to state pretty categorically that, no, it's not new, it's just the same story. And I'm bored of it.
kateelliott: (Default)
First, via Making Light, Frozen Grand Central Station. No, really, you want to see this. It just makes me happy.


My nephew and his assistant: Pay Attention: "Sit Down"


On a more personal note, continuing with reviews:


A review of Spirit Gate on Library Thing by our very own [livejournal.com profile] wyvernfriend.


AND

The first review (that I've seen) of Shadow Gate in Publishers Weekly: scroll down to the sff section toward the end. Courtesy of [livejournal.com profile] rosefox
kateelliott: (Default)
First, if you are interested in Point of View, go over to DeepGenre where our very own [livejournal.com profile] sartorias has posted an excellent guide to the basics of pov.


Meanwhile, back at the ranch, where I am composing this lj post as my warm-up to beginning a grueling day of procrasti-writing.

For whatever reason, I have that personality hitch that makes me uncomfortable when people offer me a compliment. My knee jerk reaction is usually to answer with a self deprecatory comment, or to offer criticism of whatever it is I'm being complimented on ("what a fabulous dress!" "Oh, that old thing, it isn't mine, I just inherited it from my sister who has excellent taste in clothing unlike slovenly me.")

I've had to learn to reply with two simple words: "Thank you."

Thus, I can feel awkward when people say nice things about, oh, say, my books. You know, those things I drag myself over red hot oozing lava and pointy steel blades uphill both ways in blizzard and howling tropical storm to create.

So just in the past week a couple of lj people have said nice things about Spirit Gate. Horrors! Blushing! What must I do?!?

Say: Thank you.

Here is [livejournal.com profile] jemck

Here [livejournal.com profile] oracne

Over at The Wertzone (not on lj), the wert does not love me or Spirit Gate but he respects me, and I can definitely live with that. He also reviewed the entire Crown of Stars series in installments last year.

I may have posted this favorable review from earlier this year at Rambles: a cultural arts magazine.

If you've reviewed one of my books, let me know and I'll highlight it here.

And I'll say: thank you.
kateelliott: (Default)
There are actually two kinds of people in the world, I know from observation: those who after five to ten minutes interaction with my twins can tell said twins apart always and forever, and those who always and ever after get them confused even with repeated interaction.*

However, in the wake of yesterday’s post about reactions to one’s books, I’m talking about a different kind of two kinds of people.

I have in my life run into those kind of people who have made of the world in their own minds such that if you do not admire and like what they admire and like, therefore you are not highbrow (or lowbrow, for that matter) enough. I might even argue that there are two kinds of people in the world: those who think that others must have the same tastes-standards-aesthetics as they do to be legitimate, and those who don’t.

So if someone really hates a novel I’ve written, it doesn’t bug me, because I figure it just wasn’t a fit for them or that their expectation so did not match what was offered that they were for some reason personally offended by this lack.


What does bother or upset me in this line?

#1
Ridicule and/or belittling and/or condescension (I’m a youngest child; draw your own conclusions).

#2
Damning with faint praise, a la “this tedious novel shows occasional signs of life but . . .” not so much because such things get up my nose but because I then fall into the Abyss of Doubt, a la oh-god-they’re-probably-right- AND-I’m-a-useless-mediocre-writer-and-always-will-be- AND-might-as-well-give-up-now-and-let-some-more worthy-aspirant-have-my-publishing-slot.

However, if you’re reading that last bit and nodding your head in agreement, don’t hold your breath. As I mentioned before, I’m not just a youngest child, accustomed to being bossed around, but I’m a stubborn one who learned early on to nod my head in tacit agreement and then just go do what I wanted.

The world of publishing is nasty, brutish, and often short, and many a fine writer is struggling on its fringes, so while I am well aware that my career could be dead in six months, or spiking to heights unexpected in six years, all I can really do at this end is keep plugging along trying to get it right.

Is there something that gets to you (I’m speaking of writing/reading responses here specifically, but I’m open to other venues) despite you knowing that it’s at least partly an irrational reaction on your part?



*for those who don't know me personally, this is what passes for dry wit in my house. I'm not serious, although the observation is often true - maybe it's a processing issue. In fact, whenever I make comments about "two kinds of people" or so on, I'm speaking, always, with a grain of salt.
kateelliott: (Default)
Most people who write fan-mail are, not surprisingly, writing to let you know that they liked the book(s).

But every once in a while, I receive an email like one of my all time favorites (from about 8 years ago, in the wake of the publication of The Burning Stone): “Why did you kill Alain? He was the only reason I read your too long and very boring series.”

No, I didn’t kill Alain (it was just a misunderstanding!), but my real question upon reading that was to wonder why keep reading if the series was that long and that boring? Oh well. Humanity remains a mystery.

The most recent, which I present for your reading pleasure:


hi,

i m reading crown of stars, and i want to tell you that it s the worst characters i have ever saw.

whimpy, no spines, they enrage me. no pride at all

I hate Alain, I hate Liath

did you wanted to write a slave novel?

worst heroics i have ever seen

far you NOT well

f------- g------
canada, quebec
41 yrs old




Whew. I guess he won’t be reading book two. Especially not with the third lead character being chained up for pretty much the entire book.

But the nice part is, that it restores one’s faith that people really do take their reading seriously.
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